If hugs are tangible why am I hugging the void

Norman Pitkin is the assistant helping to run a small, old fashioned dairy which is threatened by a larger, modern organisation. Pitkin does his best to save the dairy (and his horse) and the usual chaos ensues

Efter i flere år at have tilkæmpet sig et ry som Japans største og mægtigste fægter returnerer Takezo til Kyoto. Han vender ikke alene hjem for at finde sin store kærlighed, Otsu, men også for at udfordre lederen på en af områdets bedste fægteskoler. Takezo beviser sit værd, og nu bliver han opsøgt af Akemi, der udtrykker sin længsel efter ham. En anden mægtig fægter, Sasaki Kojiro, holder også øje med Takezo. Han er fast besluttet på en dag at besejre ham. Efter sine triumfer erklærer Takezo Otsu sin kærlighed, desværre på en måde, der sætter hende i et dårligt lys, og derfor må han endnu engang rejse fra byen, alene.

A double agent trying to deliver information to Washington, D.C. is chased by Nazi operatives.

A seamstress turned beauty queen turned seamstress once more recounts her ascent and subsequent descent in the local beauty pageant scene.

A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

A grieving young inventor finds solace in repairing an antique typewriter.

An intimate portrait of a couple raising their child gender neutral.

Charismatic Nolan Bentley wakes up in the middle of a remote forest, tied to a tree with no recollection of how he got there. With his time relentlessly running out, a mysterious stranger appears and he must finally reckon with the demons of his past and fight to survive to find a way out of his nightmare.

The portrait of the creator of the Kino group, consisting of the thoughts and memories of people who loved him, appears before the audience as a musical prophecy of a talented artist about his own life.

A reflection on the concept of pain through an immersive flow of images and words.

Russia has a surfeit of overqualified graduates. Nastya Sokolova is one of them. Her career, if you can call it that, gave her a plethora of unexpected work experiences: from desk slave in banking to head bookkeeper of an illegal brothel. The film’s eight tableaus detail the various workplaces, colleagues and situations. To finish it off: deadpan commentary.

The musical compilation of five performers is complemented by haptic images of sculptural objects, where the author emphasizes the materiality of the fabric. In the wake of the current ecological crisis, the film outlines a surreal world in which the imaginations of new organisms materialize.