Xiao Yu (Zhou), a barista and cake maker in a teahouse-café by Westlake in Hangzhou. Since a car crash long ago, she had been leading a peaceful life with her kind-hearted best friend and fellow car crash survivor Tong (Yim) who is unabashed in admitting that his feelings for Xiao Yu have developed into love. One day A Qin (Chen) celebrates his birthday alone in her café. Xiao Yu's curiosity sparks off their dialogues and both discover they have many parallels. But A Qin is a player who is escaping to Hangzhou from the pressures of his relationships in Beijing and Xiao Yu is pursued by Tong ... What will be their choices?

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Kriminalbetjent James Knights opgave i sidste øjeblik til Independence Day-vagten bliver til et kapløb om at forhindre en ubalanceret ambulance EMT i at bringe byens festligheder i fare. Den vildledte årvågne, der leger betjent med en stjålet pistol og uniform, har en bankboks fuld af grunde til at sætte sit eget fyrværkerishow op... et, der vil ramme farligt tæt på Knights hjem.

Framed in a wreath of roses we see a lithe Creek dancer, who sways and postures before an epicurean party of ancients, followed by a laurel wreath and encircling a scene showing school children of 1830 receiving their marks of diligence at a distribution of rewards: then the wreath of bay tendered by the Human Senators to Caesar on the culmination of his career; now a beggar receives a loaf called a "crown" from a charitable passerby: Christ is shown crowned with thorns by the rabble; following the divine drama we see the old comedian's wreath presented him at a performance. The next view shows the Emperor Charlemagne crowning his son Lewis. The film closes with the wreath of orange blossoms encircling a bridal party.

A tortured but determined young woman, in the grip of the Catholic Church, searches furiously for the child she believes has been taken away from her, but meets confusion at every corner.

A young girl comes to Hollywood to try to break into the movies, but winds up being taken advantage of by sleazy producers, and is forced to become a stripper.

The scares start in Hawaii, where Scooby-Doo and Shaggy are scarfing down the surf-and-turf menu until a giant serpent tries to swallow them faster than you can say She Sees Sea Monsters by the Seashore. In Uncle Scooby and Antarctica, a friendly penguin invites the Mystery, Inc. crew to visit his polar home, which happens to be haunted by an ice ghost! Then, the gang meets music group Smash Mouth while visiting Australia's Great Barrier Reef to watch Shaggy and Scooby compete in a sand castle contest in Reef Grief! Just when they think it's safe to go back in the water... it isn't.

Rita, an ill-paid factory worker, is determined to make it as a model in New York City. She's an ordinary girl with an extraordinary body. She learns by watching other models, but she also knows that photographers will insist on gratifying their own pleasure if she's to get the jobs. With a voice-over narration supplying all the commentary, we watch her six-month descent, from first jobs to wild parties, from drug use to seduction. "Pain is their pastime," says the narrator. How far will the degradation take Rita?

Unfortunate events beset a poor Chinese girl as she escapes from invading Japanese forces, narrowly avoids being raped, and seeks solace in a neighboring village.

Nearly half a century ago, Carmen Ignarra arrived to Mexico after leaving behind her Cuban homeland, in the hopes of becoming the greatest Caribbean actress in Hollywood. But the American dream tur- ned out to be more difficult than she’d thought, and her brief initial success was followed by a slow, painful decline. Today, at 80, the woman who was once Cuba’s most beautiful actress lives totally forgotten in an old mansion in Monterrey. There she survives thanks to her tenants—strange men who she is constantly blaming for mysterious thefts and disappearances. Laura, a young woman also from the Caribbean, arrives at the mansion to work as an assistant in cleaning and housekeeping. With her she brings a video camera and the secret intention of making a documentary about the diva. Together they talk about the past, about wasted talent and lost loves.

A short experimental film about the effects digital noise and lack of privacy can have on interpersonal connection.

Award-winning journalist Helen Kapalos explores the subject of medical marijuana, uncovering life-changing treatments and cutting-edge research.

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

This was a 1988 revival of a 1971 production that teamed Domingo (Vasco da Gama) and Verrett (Selika - both then very much in their prime) in Meyerbeer's discursive swan-song. Seventeen years on, they are more statuesque than sexy, but both give larger-than-life performances that contain moments of completely thrilling vocalism. The casting is very strong, with the exception of Justino Diaz's Nelusko, which has strong presence but not much vocal allure. As Inez, Vasco da Gama's fiancee and rival for Shirley Verrett, Ruth Ann Swneson sings with great beauty and has impressive stage presence, very much holding her own in the confrontation with Verrett in the last act. Domingo is refulgent of tone and dramatically convincing, and he and Verrett strike sparks. She really comes into her own in one of the most preposterous mad-scenes in all opera, where she is slowly poisoned by the scent of a giant tree, contriving to make this dramatically truthful and even moving.

Faced with opposition from her stern mother, a young woman tries to reconnect with her childhood friend after being separated for 12 years.