"Eat the Schoolgirl" concerns two young adults who made a dirty work for a yakuza gang by making sadistic rape/snuff films. Both of them are sexually obsessed; one is addicted to telephone sex whilst the other can only function sexually, whilst seeing mutilated female corpses.

Two determined parents fight back against a Los Angeles gang terrorizing the neighborhood after their son is brutally attacked.

The Inspector goes after Spider Pierre an expert pickpocket.

Originally released in 2001, Disposable Arts is a thematic/concept album by Masta Ace. The concept follows that Masta Ace is being released from prison, his return to home and joining ‘The Institute of Disposable Arts’. The album is one complete story with the skits and songs together. The album contain many guest artists like Masta Ace’s own group eMC (Stricklin, Punchline & Wordsworth), Apocalypse, Greg Nice, Rah Digga, J-Ro, King T, Jean Grae and more. Also a bunch of different producers, this album is seen as a classic album by most Hip Hop heads. This reissue by Below System, contains almost a 2 hour making of DVD where you will see most of the contributors to the Disposable Arts album. Interviews, stories behind the tracks and more content about the making of Disposable Arts.

Marshal Kirk Reed is escorting five female prisoners---killers all--- from one part of Texas to another part of Texas where a new prison has been built. Along the way he has to deal with dissension among the troops, attacks by the Comanches, a budding romance with Ellen, The Missouri Lady, (before her ex-husband, The Missouri Kid, shows up in an attempt to rescue her.

Hrdinou příběhu je silný a odvážný mladý kovář s dobrým srdcem. Jmenuje se Mikeš a stejně jako jeho otec i on zatouží vydat se do světa na zkušenou. Cestou se spřátelí se dvěma mladými siláky, mlynářským pomocníkem Matějem a pacholkem Ondrou. Když se dovědí o třech krásných princeznách, které záhadně zmizely, přesvědčí Mikeš své lenivé společníky, aby se vydali ztracené královské dcery hledat. Po dlouhé cestě plné překážek se jim podaří zjistit, že princezny unesl zlý Černý král. Když se Mikešovi podaří přelstít ohyzdnou babici, a výměnou za její utržený vous získat její služby, podaří se jim osvobodit dvě ze tří princezen. Boj o záchranu třetí, nejkrásnější princezny však bude mnohem obtížnější.

Laine is a college girl from a bland middle-class suburb in Latvia. As Laine’s father distances himself from his crumbling marriage and his family, Laine is unable to cope with the separation and discovers the edgy Riga party scene, where she falls in love with seasoned raver Gunda. Going from rave to rave, the girls journey into a drug-fuelled underworld of anarchy, freedom and exploration.

A 1964 handsome real estate agent, Drew Drake, must buck societal norms and make a commitment of marriage to his longtime love and comedy partner Whitey Ford.

BBC documentary. Witness John Williams composing the legendary score for The Empire Strikes Back and conducting the London Symphony Orchestra.

Alex is a gay teenager who, after having relations with various unprotected men, is diagnosed with syphilis.

Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.

Akin to Private Benjamin, this comedy deals with the tough life of female army recruits going through basic training. Through their training they come to realize that there is more to being tough than having muscles.

Vivo en Buenos Aires es un DVD (obviamos el comentario del CD, que contiene siete temas menos, por razones obvias) de interesantísima factura artística y que muestra cabalmente lo que ofrece Kevin Johansen en cada una de sus actuaciones, manteniendo el mismo espíritu incluso de aquellas series de actuaciones en lugares intimistas como Notorious hace ya casi una década. Una suerte de grandes éxitos en vivo que no admite demasiados reparos, más allá de las preferencias personales de cada uno (me anoto, total es gratis, con La procesión, Me fui pa'l Monte, No me abandones, Ni idea). Kevin Johansen tiene, en The Nada, a un combo numeroso que no solamente patea hacia el mismo arco sino que, conscientes de sus bondades y limitaciones, se la pasan entre ellos; y encontró en Liniers a un aliado no forzado que ha sabido comprender (y reflejar) con certeza para qué lado queda el arco contrario. Y todos disfrutan. Arriba y debajo del escenario.