3,200 years ago, Egypt is living the final hours of its golden age under the reign of Ramesses II. After ruling the country for 67 years, the great pharaoh dies at the old age of 92. His mummy is burried in the heart of the Valley of the Kings. This is the beginning of his great journey towards the afterlife but only under one condition: that his tomb remains off limits forever. However, in the 19th century, many European adventurers explore the tomb of the king searching for the burial chamber. Then begins an archeological investigation, which reveals the story of Ramesses II after-life.

Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Drawing from a passage from the Rosh Hashana Service, “Who shall live, who shall die… who by water, who by fire,” this short film deals with that which has been preordained—a future history that will in time unfold before us as the faces of passengers on a ship forces us to contemplate our own fate.

Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes a nosedive. In hopes of rekindling their romance and getting Vicky back on the boards with him, Dan follows her to a ritzy resort in the Canadian Rockies, where she and Victor are about to open their new act. But things get complicated when Dan wakes after a bender to find that he's hired an outlandish Latin secretary, Rosita Murphy, which makes Vicky think he's just up to his old tricks again.

"I only say the sun goodbye." Dionisos captures the existential unease where insomnia echoes and shadows of past regrets linger. As days blend into unconsciousness, the night unveils a haunting struggle between personal demons and the unending flow of existence.

In a bid to escape their domineering wives, two womanizing slackers get saddled with a corpse amongst other challenges in a foreign country.

Inspired by the filmmaker's own story, an aspiring screenwriter and musician's life quickly unravels when he is diagnosed with a crippling form of OCD. While struggling through his darkest hour, he must help himself and those around him tackle a litany of universal issues: grief, coming-of-age, addiction, redemption and the power of social connection.

College student Mutou Ookawa catches a glimpse of Ametani Yuiko, his co-worker from a former part-time job and falls immediately in love. Summoning up his courage, he eventually confesses his feelings to her and she responds “…but I’m a fujoshi.” Mutou not having the slight clue what “fujoshi” means, immediately responds “That’s OK!”

A disturbed new neighbor fixates on another woman's husband.

Won-gi lost his wife a long time ago and is running a pension outside of the city. Then one day, Won-gi's daughter and her friend Se-yeong stays in the pension during a break from their school in Seoul. However, Won-gi finds himself attracted to the friend who is so much like his dead wife. Then he crosses a line that he shouldn't have crossed...

The adventures of a young man who tries to trace the missing slipper of the girl he is in love with.

A documentary about the history of Midwestern Witch House band SALEM.

Introducing to you a new kind of horror and scary storytelling with the 4 thrills, 4 surprises, 4 emotions, and 4 enjoyable stories.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.