Kevin Jerome Everson and his collaborator Kahlil I. Pedizisai filmed the comings and goings in front of a trap house on Empire Street in Cleveland, Ohio. Loosely inspired by Andy Warhol's 1964 film "Empire," which also runs for eight hours.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Upon arriving at the Digital World after the "reboot", the Digidestined are hunted by a new villain. Meanwhile, Sora is troubled by her partner Digimon's indifference towards her.

In the Lithuanian town of Rukla, NATO troops are training for an emergency. For some residents and soldiers, the east-west conflict is already reality, for others, the threat from Russia is still abstract.

Superman has to save Lois Lane from a cult of hawk-people in an homage to Edgar Rice Burroughs's "At the Earth's Core".

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Portrait of a group of skinheads, some politically left wing, others extremely right wing. One feels the cold atmosphere of the society. The film was controversial. It was praised by some for its inside into the skinhead scene, but attacked by others for giving these radicals a platform for their arguments. Even more confusing were the images in its brilliant black-and-white cinematography.

A son, after coming to know that his father is an evil personified, eliminates him with his own hands.

When a book containing Hong Gil-dong's magic was stolen from the museum, a boy and his friend will see Hong Gil-dong and Terminator of the past.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

In the foreground, smoke billows. Four horse-drawn fire wagons approach and pass in front of a stationary camera. Two horses draw each wagon, and each wagon carries from two to eight firefighters. After the wagons pass, carts and pedestrians resume traffic on the street.

Omkring årsskiftet 1999/2000 gennemførte Søren Kragh-Jacobsen, Kristian Levring, Thomas Vinterberg og Lars von Trier et eksperiment med en hidtil uset form for interaktivt tv: Fra et kontrolrum styrede de fire Dogme 95 brødre via monitorer og radiotransmission fire hold skuespillere igennem et fælles drama, der udfoldede sig nytårsaften i 'real time' og med det festklædte og fyrværkerioplyste København som levende kulisse. Dagen efter, 1. januar 2000, blev de uredigerede forløb udsendt parallelt på landets fire største tv-kanaler, således at seerne med fjernbetjeneren i hånden selv kunne zappe sig frem til deres egne individuelle klipninger af materialet. Nærværende film er instruktørkollektivets eget bud på en version af historien, der udfolder sig i et spændingsfelt mellem kontrol og kaos.

The friends Curió, Boroca (Dedé Santana), Mexelete and Bateia they venture in search of gold in the mine of Serra Pelada. The area is controlled by the foreigner Von Bermann, whose orders are executed by the bully Bira. Thirsty of being able to, the foreigner smuggles the gold and he wants to take possession of the lands of the Brazilian Ribamar, that refuses to do business before the son's arrival Chicão. With the help of the four dabblers, the boy struggles with the thieves and it helps the father in danger.

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.