A exploration of the fanaticism that surrounds the Apple brand, featuring interviews with Mac evangelists and members of the Mac community.

Bruce Baillie's Mr. Hayashi might be thought of as a putative East Coast story transformed by a West Coast sensibility. The narrative, slight as it is, mounts a social critique of sorts, involving the difficulty the title character, a Japanese gardener, has finding work that pays adequately. But the beauty of Baillie's black-and-white photography, the misty lusciousness of the landscapes he chooses to photograph, and the powerful silence of Mr. Hayashi's figure within them make the viewer forget all about economics and ethnicity. The shots remind us of Sung scrolls of fields and mountain peaks, where the human figure is dwarfed in the middle distance. Rather than a study of unemployment, the film becomes a study of nested layers of stillness and serenity.

Before compiling your next grocery list, you might want to watch filmmaker Deborah Koons Garcia's eye-opening documentary, which sheds light on a shadowy relationship between agriculture, big business and government. By examining the effects of biotechnology on the nation's smallest farmers, the film reveals the unappetizing truth about genetically modified foods: You could unknowingly be serving them for dinner.

Paris, 1933. The daughter of a respectable lower middle class couple, Violette Nozière, leads a disreputable double life. Far from being the innocent 18-year-old her parents mistake her for, she spends her nights with dissolute young men in the less salubrious areas of the city.

When the son of an American man and a Japanese women is killed, the man transforms into Tetsuo.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.

A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to a medical school where he catches the eye of a fellow student. But it's another who becomes his obsession. the dead woman on the cadaver table.

After his girlfriend commits suicide, a man becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.

“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.

Bubby – en evnesvag ung mand, der hele sit liv har været spærret inde i sit hjem, hvor han er blevet misbrugt af sin forstyrrede mor. Men en dag slipper Bubby ud i virkeligheden. Han kan kun kommunikere ved at efterligne, hvad andre siger og gør, og han stifter for første gang bekendtskab med kærlighed, kriminalitet og rock ’n’ roll. Spørgsmålet er bare, om Bad Boy Bubby vil drukne i virkelighedens barske realiteter, eller om der er plads og brug for hans særegne tilgang til livet…

A "metal fetishist", driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is accidentally run down by a Japanese businessman and his girlfriend. The pair dispose of the corpse in hopes of quietly moving on with their lives. However, the businessman soon finds that he is now plagued by a vicious curse that transforms his flesh into iron.

After 16-year-old Alice Palmer drowns in a local dam, her family experiences a series of strange, inexplicable events centered in and around their home. Unsettled, the Palmers seek the help of psychic and parapsychologist, who discovers that Alice led a secret, double life. At Lake Mungo, Alice's secret past emerges.

En dag i 1972 styrter et fly ned i en uvejsom del af Andesbjergene. Kun en lille gruppe passagerer overlever og forsøger at skærme sig mod kulden i flyvraget. Men hjælpen kommer ikke og maden slipper hurtigt op. Til sidst er eneste udvej at spise de døde.

Et ungt flygtningepar forsøger at starte på en frisk i England, men de plages af en mørk kraft udsprunget af de rædsler, de undslap, i det krigshærgede Sydsudan.

Damiel er en af englene, der bevæger sig rundt blandt menneskene i Berlin og lytter til deres fortvivlede tanker og forsøger at støtte dem. Hans længsel efter at leve og dø som menneske bliver indfriet efter at han forelsker sig i cirkus-artisten Marion.

To søskende og deres tre venner er på vej til Texas, for at besøge deres bedstefars grav, men falder i kløerne på en familie af kannibalistiske mordere.

Phil Conners (Bill Murray) er en mavesur tv-vejr-mand, der hvert år (meget mod sin vilje) bliver sendt til den lille flække, Punxsutawney. Her skal han interviewe byens eneste landskendte "person" – et murmeldyr, der efter sigende kan fortælle, om foråret er på vej, eller om vinteren fortsætter. Og Phil hader det. Han hader alt, der har noget med byen at gøre, og vil allerhelst væk derfra med det samme. Men da Phil vågner op på hotellet næste morgen, er det den samme dag som i går(?) Og sådan fortsætter det, dag efter dag – med den samme dag. Det har jo nogle fordele, for der er jo ingen "i morgen", og Phil kan gøre, hvad der passer ham uden at stå til ansvar for nogen dagen efter.

Mei Lee er en stærk og nørdet 13-årig pige, som er splittet mellem at være sin mors pligtopfyldende datter og at finde sine ben som teenager. Hendes beskyttende, for ikke at sige omklamrende mor er aldrig langt væk fra sin datter, hvilket volder Mei Lee store kvaler. Og som om forandringerne i hendes interesser, forhold til andre og krop ikke var nok, forvandles hun til en stor, rød panda, når hun bliver oprørt, hvilket stort set er KONSTANT!

Menneskemaskinen Terminator bliver fra fremtiden sendt tilbage til vor tid for at beskytte den tiårige John Connor, som engang skal redde menneskeheden fra at blive udryddet af maskiner. Men Terminator er oppe imod en formidabel modstander, nemlig den sofistikerede dræbermaskine T-1000, der kan forvandle sig til hvad som helst.