Mater is the first tow truck on the moon! When an auto-naut gets stranded on his lunar mission, it's up to Mater to venture into space and tow him back to Earth (with a little help from his friend Lightning McQueen, of course).

In a spoof of 1972's The New Scooby-Doo Movies, Scooby-Doo and the Mystery Inc. gang pick up a hitchiking Gary Coleman. Soon after, the Mystery Machine proceeds to break down (multiple times) leaving them stranded at a haunted castle owned by David Cross.

Three people, each having different aspirations from life, are caught in a tangle of emotions and don’t know the way out. There’s a husband and wife with love eroding from their life. And there’s a single, happy-go-lucky dude who falls in love with the wife.

Kunne du tænke dig at løbe sammen med hundredvis af nøgne studerende i en af de allermest tossede collage-traditioner? Så vil du også være vild med denne bid American Pie, der serveres på bedste Stifler-manér – The Naked Mile! Da Erik Stifler indser, at han er den eneste i familien, der er i fare for at forlade highschool som jomfru, beslutter han sig til at holde familietraditionerne i hævd. Efter velmenende råd fra Jims far (Eugene Levy) er Erik klar til at prøve lykken under det berømte og berygtede Naked Mile-løb, hvor hans hengivne venner og nogle løsslupne piger sørger for den vildeste weekend nogensinde! Denne bid af American Pie er fyldt med flotte og hotte piger, og Stifler garnerer med et væld af sine sædvanlig tossestreger, så du kan roligt forberede dig på at grine, så du er ved at få krummerne galt i halsen!

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

On the way to Daphne's relatives' condominium, the Mystery Inc. gang detours through the town of Winter Hollow, where the vengeful Headless Snowman has destroyed the town's Christmas spirit.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Mater tells Lightning McQueen about his former job as a daredevil.

The beautiful, beastly Beverly returns and faces a new gaggle of gargantuan gals, hell bent on achieving deluxe diva domination. Get ready for the cinematic smackdown thrills of Giantess Battle Attack. Size really does matter.

In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with the brave Nazi soldiers. But when they start having sex with each other, things get complicated. Especially with the increasing danger from the revengeful Soviet army!

A writer looking for inspiration finds a perfect muse in a girl. After much work, he makes her his girlfriend. But then he starts to get tired of her.

Franjinha, the inventor kid in Monica's gang, tired of reading the comics, invents a new device to read the stories: a kind of a story-processor, that swallows the printed pages and projects the scenes in movement, on the wall.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Jim har friet til Michelle, og hun har sagt ja, så nu er bryllupsforberedelserne i fuld gang. Begges familier og venner er inviteret, og Jim er noget spændt på, om han kan undgå de pinlige situationer, han så tit ender i. Jim's ven Stifler er mere optaget af at arrangere et brag af en surprise-polterabend, men hans timing kunne være bedre.

Sikke en knibe! Den Fabelagtige Krudsky, en mislykket omrejsende tryllekunstner, stjæler den magiske lyskraft fra feprinsessen Willow, og Scooby-Doo og Stubbe må stoppe ham, inden han forvandler alle til forfærdelige Halloween-monstre! Vores helte stiger om bord på Dødstoget og kø rer ind i Halloween-landets fantastiske verden for at vinde det mægtige Troldscepter tilbage fra Troldkongen før midnat. Undervejs møder de den berygtede Hovedløse Rytter, den hjælpsomme Lanterne-Jack og et iltert kosteskaft, der tager dem på deres livs flyvetur. Ud over veteranerne fra Mystery Inc. lægger en række hylende morsomme gæsteskuespillere stemmer til, deriblandt Lauren Bacall, Tim Curry og Heroes Hayden Panettiere. Forheksede væsner og deres vanvittige verdener vil få dit hus til at ryste i dette lystige animerede eventyr!

In yet another hilarious caper, Fred, Daphne, Velma, Shaggy and, of course, Scooby-Doo team up with the talented Harlem Globetrotters to solve a haunting that, apparently, involves the ghosts of Paul Revere and other Revolutionary War soldiers. A second episode features the gang and the Globetrotters heading to a deserted island for some relaxation, but they realize they are in for trouble when their ship sets sail with nobody at the wheel.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.