The arranged marriage between a capricious woman from Tokyo high society and a quiet and rustic man is tested by a marital crisis.

Donald has to get up early, but everything seems to be working to keep him awake. His loudly ticking alarm clock resists several attempts to quiet it. Donald ultimately swallows it; the glow-in-the-dark dial can be seen through his feathers. Then his folding bed folds up on him. Springs start popping out of it; Donald builds an elaborate framework to hold it down. Finally, enough of the clock reassembles itself to sound the alarm and night is over.

Four peoplebound by the common thread of a deeply personal losstake to the road at a pivotal moment in their lives, hoping to move ahead. Along the way they unexpectedly intersect with one anotherthe result of which forever alters their understanding of brotherhood, friendship, and love.

The story follows the son of a millionaire from the 1920s to the 1960s. After losing his fortune in the stock-exchange crash, he teams up with an equestrienne and becomes a circus clown.

A rich American businessman in London makes believe he's lost all his money so that his daughter will marry a composer.

A special agent has for 8 years been deep undercover in Asia's lucrative organized crime trade as he plays protégé to one of the key players, Banker. Now, Nick has but he has started to feel loyalty to his new environment and to the money.

A Japanese photojournalist revisits Vietnam after the liberation to document the nation, and begins following and documenting the young children from a poor Vietnamese family.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...

Shikichi og Tomi forlader deres landsby for at besøge deres voksne børn i Tokyo: Koichi, som er læge med egen praksis, og Shige, som driver en skønhedssalon. Selvom de ikke ses ofte, virker børnene ikke ovenud begejstrede for forældrenes besøg. I et travlt storbyliv har de ikke engang tid til at vise dem rundt i byen. Den eneste, der tager sig tid til forældrene, er Noriko, deres afdøde søns kone.

A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.

A photographer takes up newsreel shooting to impress a secretary.

In this luminous tale set in the former Yugoslavia, Perhan, an engaging young Romany with telekinetic powers, is seduced by the quick-cash world of petty crime that threatens to destroy him and those he loves.

In 1985, 46 music icons, including Lionel Richie, Michael Jackson, Bruce Springsteen, Cyndi Lauper, Diana Ross, and Stevie Wonder, came together for the most star-studded recording session in history. This is the untold story of the legendary global pop song “We Are the World” — which very nearly didn’t happen.

Under en gigantisk, faldefærdig port i udkanten af 1100-tallets Kyoto har en præst, en skovhugger og en dagdriver søgt tilflugt fra den silende regn. Præsten og skovhuggeren har forinden vidnet i en retssag omkring mordet på en mand og voldtægten af hans hustru i en nærliggende skov. Mens de venter på, at vejret skal klare op, diskuterer de tre mænd den sælsomme process, hvor ingen af førstehåndsvidnernes forklaringer syntes at korrespondere med hinanden. Historien om, hvad der fandt sted i skoven, genfortælles på skift af banditten Tajomaru, kvinden, et medie repræsenterende den afdøde mand samt af skovhuggeren

Brandon Sullivan, en newyorker i 30'erne, som kæmper med sex-afhængighed. Hans søster Sissy ønsker at hjælpe ham med problemet og flytter derfor ind på ubestemt tid, men på trods af hendes gode intentioner fortsætter Brandons problem med at vokse i galoperende fart.

På sit dødsleje udtaler rigmanden og mediemogulen Charles Foster Kane ordene 'Rosebud'. Journalisten Jerry Thompson bliver sendt ud for at finde ud af, hvad de sidste ord fra den store mand betyder. Thompson interviewer venner, familie og forretningsforbindelser og et fantastisk og tragisk liv rulles op.

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.