The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

Fuad Ramses er en ægyptisk mand, der bor i Miami og driver et cateringfirma. Men ved siden af sine daglige sysler er han den mest brutale seriemorder, man kan forestille sig. Han lemlæster sine ofre for at udføre et ritual, der skal vække den ægyptiske gudinde Ishtar til live. Herschell Gorden Lewis’ morbide ”Blood Feast” anses for at være den første splatterfilm og var ophav til såvel kontrovers som en hel gysergenre.

Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage shot by Louis Le Prince was discovered. It was never publicly shown and is now considered a lost film with no known surviving prints or stills.

They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.

Chronophotographic short film, possibly species Protophormia terraenovae, c. 1904-1905.

Frans Zwartjes and his wife explore their new home, and the sexual tension they've brought with them to it.

Everyone's favorite St. Bernard returns in this family film about man's best friend. Richard Newton, his wife Beth and kids Brennan and Sara shove off in their camper for a road trip. Along the way, they gain a new passenger: slobbery Beethoven. The Newtons plan to return Beethoven to his owner -- but not before he turns hero when a pair of thieves enter the picture.

En DJ, en alfons og en italiensk turist er blevet fængslet i New Orleans. På trods af uenigheder og had mellem dem, lægger de en plan for at slippe ud.

Aaron Boone har nogle rigtig lede mareridt fulde af skumle monstre på en kirkegård. Samtidig bliver en række makabre mord begået i området og Aaron aner en sammenhæng. Hans forsatte søgen efter en forklaring leder ham til den underjordiske by Midian, hvor nattens yngel i form af mutilerede mennesker med superkræfter holder til.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

A small-time conman has his loyalties torn between his estranged mother and his new girlfriend, both of whom are high-stakes grifters with their own angles to play.

Superskurken Fantômas er tilbage, og denne gang vil han ikke nøjes med mindre end verdensherredømmet. Professor Lefèvre har opfundet en maskine, der kan hjernevaske mennesker, hvilket passer særdeles godt i Fantômas' kram. I et tog til Rom har reporteren Fandor maskeret sig som professoren - og på den måde håber kommissær Juve at kunne lokke forbryderen frem. Men Fantômas lader sig ikke narre, og det bliver et nervepirrende eventyr med storslået finale i bunden af en særdeles aktiv vulkan.

Hector Valentin returns to France from Canada when he inherits a small sawmill. He has difficulties restarting the run-down operation which has inefficient workers and is hampered by the dirty tactics of its bigger...

Kan dine lattermuskler klare endnu en omgang Scary Movie? Lige som du troede det var sikkert, at begynde at se film igen… så viser Scary Movie 4 sit grimme ansigt, og giver os en skrupskør, uklippet og ucensureret version, der aldrig har været vist i biograferne. I denne fjerde og sidste del af den hæmningsløse trilogi, går det løs med stjerner som Anna Faris (Scary Movie 1, 2 & 3, Lost In Translation), Regina Hall (Scary Movie 1, 2 & 3) og Craig Bierko (Cinderella Man) i hovedrollerne, samt fantastiske gæstespil af Carmen Electra, Michael Madsen og Leslie Nielsen. Men The Grudge er ikke stærk nok, The Village er ikke sikker nok, og Saw er ikke skarp nok, til at undgå endnu en latterkrampe i det gode gys’ navn i Scary Movie 4!

Dissatisfied with his new work at the Goethe-Gesamtschule, Mr. Müller is tired of early mornings and correcting exams. Meanwhile, director Gerster strives to be a symbol of the new company. To do so, her attempts to improve the school's image involve revoking the partnership from the Schillergymnasium with a Thai school. In a last-ditch saving grace, Mr. Müller, Mrs. Schnabelstedt, and the 10b must take a trip to Thailand.

Zain, som blev født til et hårdt liv på gaden i Beirut, er nu 12 år gammel, og bestemmer sig for at sagsøge sine forældre for at have sat ham i verden.

Tonny, en kriminel taber fra Københavns underverden, der lige er blevet løsladt efter et 13 måneders fængselsophold. Han skal nu forholde sig til, at han har fået et barn, og prøve at få styr på sit liv. Der er ikke noget, han ønsker mere, end sin fars - "Smeden", den mest frygtede gangster på Amager, respekt. Men jo mere han prøver, desto flere problemer får han – og pludselig sidder han med en gæld til sin far, som han ikke kan betale...