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Arroseur et arrosé
0h 1m
1895
HD
Genrer
Komedie
Skuespillere
François Clerc
,
Benoît Duval
Instruktører
Louis Lumière
Relateret
1895
Baby's Meal
6/150
A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding baby his lunch, while mum is serving tea.
Se Nu
Baby's Meal
1895
Workers Leaving the Lumière Factory
7/316
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Se Nu
Workers Leaving the Lumière Factory
1934
She Wronged Him Right
5/12
Betty Boop appears on stage with Freddie in an old-fashioned mortgage melodrama.
Se Nu
She Wronged Him Right
1896
The Boxing Kangaroo
5/8
The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.
Se Nu
The Boxing Kangaroo
1925
The American Venice
9/2
The development that reached the city of Recife on the second anniversary of the administration of Sergio Lorêto, governor of the State.
Se Nu
The American Venice
1982
The Vanished World of Gloves
7/20
Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.
Se Nu
The Vanished World of Gloves
1897
The Arrival of a Train at La Ciotat
7/450
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Se Nu
The Arrival of a Train at La Ciotat
1909
The Lonely Villa
6/58
A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.
Se Nu
The Lonely Villa
1895
The Photographical Congress Arrives in Lyon
5/85
Down the gangway, photographers leave the deck of a riverboat in large numbers.
Se Nu
The Photographical Congress Arrives in Lyon
1986
Night Music
5/51
Part of Three Hand-Painted Films, Night Music (originally painted on IMAX) attempts to capture the beauty of sadness, as the eyes have it when closed in meditation on sorrow.
Se Nu
Night Music
1975
The Wild Goose Chase
6/69
The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?
Se Nu
The Wild Goose Chase
2011
The Extraordinary Voyage
8/50
An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece “A Trip to the Moon” (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.
Se Nu
The Extraordinary Voyage
1895
Annabelle Serpentine Dance
6/98
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.
Se Nu
Annabelle Serpentine Dance
1896
Demolition of a Wall
6/112
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
Se Nu
Demolition of a Wall
1931
Limite
7/94
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
Se Nu
Limite
2006
French for Beginners
5/45
The story of Henrik, who takes part in a student exchange program with France. The only reason for this journey is to conquer the heart of his dream girl. Wild Partys, exciting trips, a crazy host family and of course his trouble with the French language turn the - at first unmeant - holidays into a memorable summer.
Se Nu
French for Beginners
1914
Cabiria
7/126
Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
Se Nu
Cabiria
2011
You Are My Pet
6/61
A woman finds a man in a box in front of her home and takes him in. She jokingly says she wants to keep him as her pet since the man reminds her of her childhood dog. The man agrees. Later the woman discovers that the man is a dance prodigy. Complications arise when her old flame from college returns.
Se Nu
You Are My Pet
1888
Roundhay Garden Scene
6/205
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Se Nu
Roundhay Garden Scene
2019
Young Ahmed
6/157
A Belgian teenager hatches a plot to kill his teacher after embracing an extremist interpretation of the Quran.
Se Nu
Young Ahmed
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