Alina returns to Romania from Germany, hoping to bring Voichita—the only person in the world she loves and was loved by—back with her. But Voichita has found God, and God is the hardest lover of all to best.

An ever evolving alien life-form arrives on a comet from the Dark Gaseous Nebula and proceeds to consume pollution. Spewing mists of sulfuric acid and corrosive sludge, neither humanity nor Godzilla may be able to defeat this toxic menace.

Six vignettes pit an assortment of characters against each other in everyday situations.

Jura is 23 years old - and Lena is 23. They live in Budennovsk, play computer games, walk and learn. They live in a city where Shamil Basayev entered 23 years ago with militants, and know almost nothing about the events of that time.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

The action takes place in 1920 during the Civil War. Crimea on the eve of complete liberation from the White Guards. Returning from patrol, the four brave “elusive” knocked down an airplane. In the field bag of the captured pilot, they find a secret report, which speaks of the existence of defensive fortifications around the coastal city, which the Reds have yet to take. Young heroes get the task to get a map of fortifications and go to the city...

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Successful movie director John L. Sullivan, convinced he won't be able to film his ambitious masterpiece until he has suffered, dons a hobo disguise and sets off on a journey, aiming to "know trouble" first-hand. When all he finds is a train ride back to Hollywood and a beautiful blonde companion, he redoubles his efforts, managing to land himself in more trouble than he bargained for when he loses his memory and ends up a prisoner on a chain gang.

Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.

Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Líba has only one birthday wish every year. She insists that the whole family come together for her celebration, which they all always do. That is, until this year's birthday. Her son Petr has other plans for this year, so he pretends to be sick in front of the family. This year, for the first time, he wants to spend his birthday with his friend Karl, who has a birthday on the same day. And Karel is Peter's long-hidden secret for the rest of the family. However, Líba is not going to give up her celebration so easily. She decides to surprise Peter and move in with the whole family. An unexpected visit forces Peter to quickly improvise. In front of your family, turning your friend Karel into a colleague from work and his sister Veronika into your girlfriend is basically a piece of cake. But Petr doesn't know yet that this is just the beginning and today will be one big rollercoaster ride.

8mm film by Swiss artist Roman Signer.

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

A superifical woman finds conflict choosing between her abusive husband and her vain lover.

The wife of a successful chef feels unfulfilled in her rôle as dining-room hostess and consults career counselor, who is herself dissatisfied by her useful but mundane place in the scheme of things. Without meaning to, the two women find their lives growing tangled together, with ever more complex tragicomic consequences.

Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.

Through a series of real and imagined encounters with angels, demons, and England's pagan past, a pastor's son begins to question his religion and politics, and comes to terms with his sexuality.

Marnie er en forstyrret pige, der lever af at røve fra sine skiftende arbejdsgivere, men da hun ansættes hos Mark Rutland, kompliceres hendes tilværelse yderligere. Han forelsker sig nemlig i hende, og da han griber hende med fingrene i pengeskabet, tvinger han hende til at gifte sig med ham. Hans plan er at tvinge hende til at blive helbredt, og da han har studeret zoologi, mener han, at han er den rette til jobbet (!). Det er mildt sagt en tåbelig historie, og ligesom i Hitchcocks tidligere Spellbound er det fascinationen af den moderne psykoanalyse, der er det gennemgribende tema, men Marnie har slet ikke den samme naive charme, og det er svært at se gennem fingre med den letkøbte lommepsykologi.

A director and a screenwriter write a screenplay together about a globally spreading epidemic. Unbeknownst to them, an outbreak develops around them in the real world.