A film about the uncertainties faced by a man in post-Communist Slovakia, his relationship with a teenage son and English teacher girlfriend who's soon to return home to England.

This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.

Seong-ho is a musician with an autistic disorder who has an extraordinary talent in music. But he is trapped in the world of video games and television. His mother has chosen the life of his shadow to groom him into a professional musician. Her only wish is to ‘Live an hour longer than Seong-ho.’ She would like to leave Seong-ho to his little brother Geon-gi, but he still considers his brother ‘bothersome and useless’. Two brothers go on a trip to Europe without their mother for the first time. “It’s a practice for when mom isn’t here.” This family’s cacophony is slowly forming a concerto.

From the birthplace of boxing legend Mike Tyson, young women brawl in secret fight clubs to win $1000 and invaluable street cred.

"I've Been Afraid" blends stories of women who have been threatened.

A prominent lesbian couple adopts a child who gets diagnosed with a genetic predisposition for violence, and they must contend with their hard-lined stance on acceptance while attempting to raise the perfect family in the spotlight.

The myth of the 60s was created before the decade was out. But what we have lived with ever since is a mirage, a mass hallucination, a fantasy. Why I Hate the Sixties examines the truth behind the myth. It suggests that we were living on borrowed time - we partied as Britain lost an empire and slid into unchecked industrial decline. Archive footage and contributors of all political stripes build the case against the decade where dreams turned to nightmares.

What is beautiful about adolescence is that it is a time when everything is still possible. The four main characters are each conditioned by their background and environment, but they refuse to accept any predestination and to fight it. Expelled from schools, spurned by lovers, confined by identity these youngsters just keep on running, frustrated and in flames. Lonely hearts, intoxicated by music and alcohol, by the heat of minds and bodies, burn to ashes.

On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.

Fourtounakis’ daughter, Katerinio, is forced to get engaged with a brutal Cretan, Skandalakis. But the return of Manousos Vrontakis from Athens and his flirtation with the girl leads to a great romance, without them knowing that they belong to families who are longstanding enemies.

A profile of the controversial novelist Mitsuharu Inoue, filmed during the last years of his life.

About the partisan movement during the Great Patriotic War.

In 1842 the Crown prosecuted Weewar, a Binjareb Nyungar warrior, for carrying out tribal payback by spearing Dyung of the Mooro Group. When Weewar heard that Dyung, a member of the tribe responsible for the death of his son, was moving through Binjareb Territory he was governed by one law – Traditional Aboriginal Law. Weewar’s trial became the test case in Western Australia which determined that British Law took precedence over traditional law. Dedicated to Theo Kearing a Binjareb Warrior.