Things don't go as expected when a disenchanted pastor wishes for a different life.

The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.

Four women are waiting for the blue circle and a possible change of their lives.

Carter Wong stars in this Hong Kong classic as a powerful martial artist who must protect an old man and his daughter from a snake god who possesses deadly kung fu skills.

Feature adaptation of adaptation of Torsten Schulz's novel set in East Berlin in 1968.

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.

Nguyen Vu is the sole survivor of his family who was executed by the empress of Vietnam. Upon discovering that his family may have been framed for crimes they did not commit, he sets out to bring justice and clear his family name.

One man becomes each day more and more fat. The exercise does not help him. Finally he goes to the doctor that finds out his problem: he is pregnant.

A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.

A man, unable to hitch a ride back to his broken-down car with a new tire, rolls it back to his car while running.

A girl wakes up in a desert hotel. She can't get out. She can't see outside. But she has sufficient supplies of food and water. She'll have to adapt to live in solitude, alone with herself and her obsessions...

Being the adventures of a young man whose principle interests are movies, New York, and mass murder. CHARM is an ultra low budget black comedy about Malcolm - a New Yorker who gets tired of how gentrified, tepid and antiseptic it's all become. What's happened to the 'Good ole days'?! And so he decides to take matters into his own hands by personally starting a crime wave which he hopes will catch on and drive real estate value down, opening up the city to bohemians, artists and a swell of creativity, just like the supposed good 'ole days of the 1970s and 80s. The only problem is: Nobody is paying attention.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

It is one of the earliest of the gay films after Stonewall, and one that refused to see touch, affection, and sensuality only in pornographic terms. The films final scenes use footage filmed in the St. Chapel, Paris, and connect the sensual with the spiritual. The patterns of movement and the inter-cutting align the film to dance.

Ian Bonar is Stevie, a wannabe musician whose look is a hybrid of Jarvis Cocker and early Elvis Costello. Working with his drummer pal Neil (Matthew Baynton) in a call centre, they dream of breaking into the indie music scene. To do this they require additional band members. Step forward the driven (and drinking) guitarist Billy (Kieran Bew) and slightly scatty bassist Emily (Lyndsey Marshal), who has a sideline in making sculpture from hair.