In this exploration of love, commitment, and trust, a long-time couple is forced to navigate the delicate waters of their relationship and the life-changing events they experience over the course of a year.

Salome, a seductive and alluring daughter of Herodias and stepdaughter to King Herodes, discovers faith and Christianity through her love for a Roman centurion named Cornelius.

A young woman's journey into lust, love, sexual awakening, and murder.

Naan Avanillai 2 (English: I am Not Him) is a 2009 Tamil romantic mystery film directed by Selva. It is the sequel to the Naan Avanillai (2007). Jeevan reprises the lead role, while the female roles are enacted by Sangeetha, Lakshmi Rai, Shweta Menon and Sruthi Prakash and Rachana Maurya. D. Imman, who did the film score for the first part of the film, replaced Vijay Antony as the music director. The film was released on 27 November 2009 to extremely negative reviews

The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.

An undercover Army captain links missing gold and murder to a gambler's ghost.

Forced to take shelter, a father and daughter break into a farmhouse concealing a twisted monster. Set in the 1970s, Infracktion follows two drifters – Laura and her father, John. Trekking across the moorland late into the night, the two seek shelter in a seemingly abandoned farm house. In the gloom of the house, a twisted horror stirs.

A team of scientists working on a remote dig site find the buried body of an enormous monster, perfectly preserved even after 200 million years. As soon as the beast is uncovered, however, an alien spacecraft suddenly appears above them and brings the monster back to life! The creature immediately sets about levelling the surrounding urban landscape and shrugging off the best firepower the military can throw at it. A lone scientist, working on decrypting an ancient set of hieroglyphics, may be on the verge of finding the aliens' weak point, but will it be too late?

UFC 248: Adesanya vs. Romero was a mixed martial arts event produced by the Ultimate Fighting Championship that took place on March 7, 2020 at the T-Mobile Arena in Paradise, Nevada. A UFC Middleweight Championship bout between the current champion Israel Adesanya and former interim title challenger (as well as 2000 Olympic silver medalist and former world champion in freestyle wrestling) Yoel Romero headlined the event.

A documentary about people in Kenya who are imprisoned by the global flower industry. The dilemmas of the industry become painfully clear and a dark world of oppression, sexual abuse and terrible working conditions unfolds. There is only one conclusion possible: the smell of the imported rose is not sweet, but bitter.

Rich girl with progressive ideas goes undercover as a sales clerk at her father's department store.

Set udefra går det godt for Lukas Graham. Hver gang Lukas sætter et nyt mål, opnår han det. Han bliver signet på et stort internationalt label, han arbejder med de største producere, han bliver fløjet rundt i hele verden til de største scener for at spille sit verdenshit 7 Years. Lukas begynder endda at stifte familie, men set indefra kan det være rigtig mange elementer at jonglere og få til at harmonere. Drømmene kan nemt blive til mareridt.

JFK documentary directed by Arthur J. Bressan Jr.