Foghorn Leghorn's sharp-tongued, domineering wife orders him to sit on their egg while she goes out to play bridge, but Foghorn becomes careless, allowing little Henery the Chicken Hawk to take the egg away. Foghorn must retrieve it, or else!

Ivan Ladislav hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame for frame, each work likewise presenting an analysis of the film medium. Concealed therein, culled from deep in the medium’s prehistory, are hermetic parallel universes in whose number ranges and symbolic spaces, Galeta’s precisely constructed film compositions find a formalist anchor.

A behind the scenes look into George Romero's groundbreaking horror classic Night of the Living Dead.

Ken, a WWII GI, returns home after he's paralyzed in battle. Residing in the paraplegic ward of a veteran's hospital and embittered by his condition, he refuses to see his fiancée and sinks into a solitary world of hatred and hostility. Head physician, Dr. Brock cajoles the withdrawn Ken into the life of the ward, where fellow patients Norm, Leo and Angel begin to pull him out of his spiritual dilemma.

Based on the Mario Mendoza's book and inspired by true events, tells three interconnected stories happening in the eve of the infamous Pozzetto Massacre.

En sæbeopera forfatter bliver ramt i hovedet og vågner op som en karakter i sit eget show.

In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)

Filmen 'Kapgang' foregår i Sønder Omme i 1976 og handler om den unge dreng Martin. Der sker rigtig mange ting i Martins liv. For det første er hans mor lige død. For det andet skal han snart konfirmeres. Hans far og bror er helt opslugt af sorg, så Martin må tage sig af sig selv. Men det er ikke nemt at komme sig over sin mors død, når man samtidig skal træne med sit kapganghold og planlægge en konfirmation. Han venter også på sin seksuelle debut og helst med Kristine, selvom han allerede har eksperimenteret lidt sammen med sin bedste ven Kim, som han måske også er forelsket i. Alle i byen kommer med gode råd og prøver at hjælpe, men ingen forstår alle de ting, der sker i en 14-årig drengs hoved.

I am Chris Farley tells his hilarious, touching and wildly entertaining story - from his early days in Madison, Wisconsin, to his time at Second City and Saturday Night Live, then finally his film career (which included hits like Tommy Boy and Black Sheep). The film showcases his most memorable characters and skits from film and television and also includes interviews and insights from his co-stars, family and friends - including the likes of Christina Applegate, Dan Aykroyd, Mike Myers, Bob Odenkirk, Bob Saget and Adam Sandler.

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.

In 2009, Scott Mescudi aka Kid Cudi released his debut LP, Man on the Moon: The End of Day. A genre-bending album that broke barriers by featuring songs dealing with depression, anxiety and loneliness, it resonated deeply with young listeners and launched Cudi as a musical star and cultural hero. A Man Named Scott explores Cudi’s journey over a decade of creative choices, struggles and breakthroughs, making music that continues to move and empower his millions of fans around the world.

Den største ungdoms-actionfilm fra 1985 er klar til at rive dig med! James Spader spiller knægten, der kommer til en ny by og må kæmpe mod den lokale bande. En varm film. Fyldt med humor, med spænding - og med en åndeløs finale.

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.

A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers, and luxuriates in the language and the theater of their debates, begging the question, "What has television done to the way we discuss politics in our democracy today?"

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human's, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn't see why.

Salomon Sorowitsch lever det søde liv i 30’ernes Berlin… Privilegeret af sine mange dyre bekendtskaber. Rig af de penge, han selv har fabrikeret. Indtil anden verdenskrig bryder ud, og Sorowitsch ryger i koncentrationslejr. Men nazisterne har en plan med falskmøntneren. Ved at massefremstille falske pund og dollars vil Nazi-Tyskland undergrave sine fjenders økonomi. Sorowitsch kan redde livet. Men prisen er at hjælpe sin værste fjende… ”Forfalskerne” er baseret på den virkelige historie om det gigantiske falskmøntneri, som blev iværksat af nazisterne i KZ-lejren Sachsenhausen i 1942. Filmen høstede fortjent en Oscar® for Bedste Udenlandske Film, og siden premieren har den gået sejrsgang på filmfestivaler Verden over.

”Frantz” fortæller om den unge enke Anna Hoffmeister, hvis lidenskaber genvækkes, da en ung franskmand kort efter Første Verdenskrig dukker op i hendes tyske hjemby og lægger blomster ved en tysk soldats grav.

Da hans dysfunktionelle familie ryger i totterne på hinanden i juleferien, opgiver en skuffet Max julen. Han er helt uvidende om, at denne mangel på juleånd har udløst Krampus’ vrede - en oldgammel ondskabs dæmoniske kraft, som er opsat på at straffe ikke-troende. Helvedet bryder løs, da afholdte juleikoner selv påtager sig en frygtindgydende rolle. De belejrer den splittede families hjem og tvinger dem til at kæmpe for hinanden, hvis de vil gøre sig noget håb om at overleve.