A Russian poet, Andrei and his interpreter, Eugenia travel to Italy to research the life of an 18th-century composer.

Det episke og ærefrygtindgydende storværk Andrei Rublev med den danske titel Den yderste dom er Andrei Tarkovskijs anden spillefilm. Den tre timer lange film var klar til premiere i 1966, men grundet problemer med den russiske censur fik den først officiel premiere i 1969 i begrænset distribution. Værkets samlende karakter er den russiske ikonmaler Andrei Rublev. Filmen kredser om Rublevs såvel fysiske som mentale rejse gennem middelalderens Rusland. Den gennemgribende tematik i filmen er mennesket i relation til og som konsekvens af dets omverden - en tematik, der genfindes i flere af Tarkovskijs senere film.

Alexander, a journalist, philosopher and retired actor, celebrates a birthday with friends and family when it is announced that nuclear war has begun.

Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.

After their father dies, a family of five children are forced to survive on their own in a Kurdish village on the border of Iran and Iraq.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

Irene Wagner, the wife of the prominent German scientist Professor Albert Wagner, had been having an affair with Erich Baumann. She does not disclose this to her husband, hoping to preserve his innocence and their "perfect marriage". This fills her with anxiety and guilt. However, Johanna Schultze, Erich's jealous ex-girlfriend, learns about the affair and begins to blackmail Irene, turning Irene's psychological torture into a harsh reality.

Closely based on Franz Kafka's book "Das Schloß", the movie shares the same action on a land surveyor who is called to a village to do a job that no one seems to have ordered. Once there, he takes up the struggle against bureaucracy emanating from the castle.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

The world's got a lot of problems, but Vir Das has a lot of answers as he discusses travel, religion, his childhood and more in this stand-up special.

Stuck in a mining town near Vladivostok in 1947 amongst Soviet exiles and Japanese POWs (Japanese prisoners remained in Siberia for years after the war had ended), the kids have to come up with something to keep them busy. Two friends, Valerka and Galia, play some peculiar, very dangerous games of their own amid the man-made wasteland of Suchan.

In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

A man in a small boat reaches an island on the Paraná River. He heads towards a site where there used to be a house or small village. Now there is nothing. Slight signs of something old and lost: the place where he was born. His presence allows the things in the abandoned spot to materialize: huts and tables, animals and canoes. Soon others arrive on the island: his wife, father, friends, and children. This is a meeting of the Man and his loved ones. With the dead, the birds, the river's music and his pain.

A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot.

A young man is seeking an identity.

The Stolen Airship (Czech: Ukradená vzducholod) is a 1967 live-action/animated film by Czech filmmaker Karel Zeman. The story is based loosely on Jules Verne's novels Two Years' Vacation and The Mysterious Island. The film in Art Nouveau style consists of live-action scenes, generally shot in black and white, as well as hand-drawn, stop motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.

A most touching and consistently heart-gripping war drama depicts the heroic deeds of General Chang Tsu-chung who was even held in high esteem and dubbed as “Mars of China” by his Japanese counterpart, General Itagaki during Sino-Japanese war.