1774, shortly before the French Revolution, somewhere between Potsdam and Berlin. Madame de Dumeval, the Duke de Tesis and the Duke de Wand, libertines expelled from the puritanical court of Louis XVI, seek the support of the legendary Duc de Walchen, German seducer and freethinker, lonely in a country where hypocrisy and false virtue reign. Their mission is to export libertinage, a philosophy of enlightenment founded on the rejection of moral boundaries and authorities, but moreover to find a safe place to pursue their errant games, where the quest for pleasure no longer obeys laws other than those dictated by unfulfilled desires.

Berlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germany during the Weimar Republic.

In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

As Agnes slowly dies of cancer, her sisters are so deeply immersed in their own psychic pains that they can't offer her the support she needs. Maria is wracked with guilt at her husband's attempted suicide, caused by his discovery of her extramarital affair. The self-loathing, suicidal Karin seems to regard her sister with revulsion. Only Anna, the deeply religious maid who lost her young child, seems able to offer Agnes solace and empathy.

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.

Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.

In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.

Wendy, en hærdet immigrationsofficer, tilbydes en højprofileret asylsag, vurderet ud fra hendes evne til hurtigt og klinisk at afvise ansøgere. Gennem sit forhør skal hun afdække, om Haile lyver og har en mere uhyggelig grund til at søge asyl.

When a mother is hit by a rare condition that sees her lift off the ground at a slow but ever increasing rate, her husband and daughter are forced to come to terms with losing her.

Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old David’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force David to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister.

A Canadian college student learns about life and love during a trip to her cousin's wedding in California.

A very wealthy, but lonely woman is stalked in her home by a violent serial killer.

Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falling in love with his model - pleasure and death.

Kødets lyst er en vittig, men alligevel hudløs historie om de to bofæller Jonathan (Jack Nicholson) og Sandy (Art Garfunkel), som ikke kunne være mere forskellige, når det gælder deres smag i kvinder. Den ene vælger at være gift, mens den anden nyder at være ledig på markedet. De betror sig til hinanden gennem årene og når endda at have en fælles kæreste, men som midaldrende kan de stadig ikke finde ud af, hvem der har det bedst.

Monika from Stockholm falls in love with Harry, a young man on holiday. When she becomes pregnant they are forced into a marriage, which begins to fall apart soon after they take up residence in a cramped little flat.

Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.