I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

In a surreal, parallel universe, Thessaloniki has its very own superhero: Super Demetrios. Posing as Dimitris Christoforidis, journalist for the Golden Jerusalem magazine, he fights for truth, justice and the Greco-Christian ideal. In the dark of the night, the city's worst nightmare returns. Captain F.ROM is back, determined to meet his long-awaited goal: claiming his true name. A name he's entitled to. A name that becomes him. The two protagonists are drawn into a conflict that toys with the viewer's patience until the very climax of the film, in an archetypal battle between good and evil.

At the turn of the 20th Century amongst tension between China and Japan, a Japanese swindler in Shanghai plans to profit by selling weapons. He steals arms from the Japanese military and sells them to the rich Chinese.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

Napoleon Bonaparte's younger brother, visiting the United States, falls madly in love with a young woman he meets in Baltimore.

Vivienne Dick - 1983 Like Dawn to Dust takes up the exploration of the rural landscape initiated in Visibility Moderate but it is characterized by a very different mode of address. Instead of appropriating from radio, television or film, Dick develops a more overtly 'poetic' aesthetic, through performance, cinematography and sound. The opening shots of a decaying 'Big House' bearing the scorch marks of a fire, are accompanied by an off-key piano, recalling stage melodrama or early cinema. The house, most likely a remnant of Anglo-Irish society, is abandoned but for the figure of Lydia Lunch, wearing her signature New York 'Goth' make-up and clothes. Lunch delivers a poetic monologue, both on screen and in voice-over, over a traditional soundtrack and her final words emphasize the circularity of Irish narratives: 'the past never dies, it just continually repeats itself.'

A film on the surveillance and the control in East Germany also speaks about it - representing extreme and almost unbelievable image of a society which has acquired one super-narrative and developed a system which makes it impossible to even speak about the possibility of anything outside it.

The life and struggles of a group of high school seniors living in Waco, Texas.

Four friends head off to Bombay and get involved in the mother and father of all gang wars.

A fur-trapper named Kelly, who once saved the life of a Sioux chief, is allowed to set his traps in Sioux territory during the late 1870s. Reluctantly he takes on a tenderfoot assistant named Anse and together they give shelter to a runaway Arapaho woman. Tensions develop when Anse falls in love with this woman and when the Sioux chief arrives with his warriors to re-claim her.

A man is searching for a gang that raped and murdered his wife and daughter, he's ready for revenge.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

An unflinching look at daily life in Haiti during and after the rule of Papa Doc Duvalier and his son Baby Doc, this unconventional documentary blends interviews with fiction scenes to expose the country's history of corruption, violence and voodoo. Through the use of historical footage, disturbing images and an interview with Papa Doc himself, the film offers a rare glimpse into the heart of a nation frequently overlooked by rest of the world.

During an interval in the proceedings of the court martial, the journalists enter into an animated discussion, resulting in a dispute between Arthur Meyer of the 'Gaulois', and Mme. Severine of the 'Fronde', resulting in a fight between Dreyfusards and Anti-Dreyfusards, in which canes and chairs are brought down upon the heads of many. The room is finally cleared by the gendarmes.

A girl in search of a rich husband mistakes a millionaire for a male model.