Horror - When college students Brooke and A.J. set out to make a documentary on six missing kids, rumored to be the victims of a deadly curse, they have no idea of the danger they're walking into. While digging for answers, Brooke and A.J. stir the emotions of the mysterious locals and uncover a world of dark secrets and unspeakable evil.

"Vampire Buster" Lam Ching-Ying returns as Master Gao in this vampire-filled adventure. Here, he joins forces with his colleagues in ridding the world of restless ghosts, and he, himself, does battle with dozens of jumping Chinese vampires and creepy-looking zombies. Meanwhile, he must also deal with his corrupted senior colleague and a beautiful female ghost, who befriended his two pupils.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

Nostalgic comedy about medical students circa 1905.

Traveling cowboy gets involved in political issues in a town he passes through. Also a romance.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Blood, Sweat and Tears is a story about the life of Andre Hazes, a Dutch popular singer. It shows three crucial phases in the life of Hazes: his youth (in the 1960s), his breakthrough (1980s) and the last year of his life (early 2000s).

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

A psychopath kills members of a video dating club and records their deaths.

Romantic triangle on the hacienda.

A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.

A film producer on the verge of ruin decides to make an erotic film.

Reg owns the store "Tem Tudo... E Muito Mais" (Has Everything... And Much More). To satisfy his customers, he is forced to perform the most strange functions.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

Spyro Gyra - Live At The North Sea Jazz Festival

Emir is sleeping at his girlfriend Seren's house. Seren wakes Emir up and tells him that she is going to the hairdresser. Emir does not want to be alone because he was kidnapped in the past. He tries to convince Seren to stay with him, but he fails. Shortly after Seren leaves the house, Seren's neighbor Eren appears at the door. Emir remembers the voice of Eren. Eren is the person who kidnapped Emir in the past. Emir waits for Seren in fear. Seren comes back after a while. But Eren never acts suspicious. Seren tells Emir that he was not kidnapped, that they were all in his head, that he had suspected others before, and that they could no longer see them. The reason they couldn't see them is that Emir himself kidnaps the people he thinks kidnapped him. And his last victim is his neighbor Eren.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

Human bodies appear incomplete, divided and fractured by water and fabrics as a way to address the cementing, impoundment, and fragmenting of local streams and rivers. The body parts search for each other in an attempt to reconstitute as a collective body. Towards the end of the film a complete human body is revealed, suggesting that if we dismantle infrastructure that divides and splinter bodies of water, riparian ecosystems might stand a chance to become whole again. Filmed on location in the San Gabriel River and the Wanaawna (Santa Ana) river mouth, this inaugural and site specific activation of the Water Portraits series is the first step towards building a healing relationship with the land and the waters of the unceded Tongva and Acjachemen territories, known by many as Orange County. We are grateful to our human and natural indigenous hosts who have sustained us, despite being submitted to violent processes of colonization and extraction.

A young psychic experiences a horrifying vision during her walk home.