At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

King Sukjong assigns Jang Ok-nan, a court lady, as a concubine overnight. Jang plots to drive the current Queen into exile.

An American woman visits a small South American town where she quickly falls for a charming lieutenant.

A girl appears like a comet, shining small and bright. Her glorious singing voice overlaps with more than a million stars. Finally, the first stage arrives. Hoshimachi Suisei 1st solo live, STELLAR into the GALAXY. Let's observe together a dreamlike moment spent in the galaxy.

Asian remake of Employees Leaving the Lumiere Factory, apparently.

Having suffered sexual abuse as a child, Veera grows into a psycho obsessed with sex and kills for pleasure.

Animation about how two stray dogs tried to rob the house of a cunning rich cat.

A counterfeiter gives up her life of crime and goes straight. She gets a job in a bank, but the members of her former gang hear about it and try to blackmail her into helping them rob the bank.

"I feel that some of the silent pieces might be seen as visual music. Perhaps a bit pretentious to say that, but such pieces as ISOLATION are something of the sort. This is a film that every time I see it I want to re-edit it, just for fun. Its like a jazz improv, and could be different during the next set – the rhythms, the pauses, perhaps with longer passages and variations in visual tonality, theme and variation, recapitulations – all sorts of musical terms might be applied. There is no real narrative development here. The film suggests that a boy in a rowboat sees glimpses of the world around him. The boy whose image you see is our son, Darmon, and long ago I was a similar boy as well." –Abbott Meader

Sten Lehtoja, a married, middle-aged businessman, picks up a young hitchhiker, Elsie, while driving to his summer home. Elsie spends the night and becomes his mistress. Later during the summer, Elsie also begins an affair with Reino, the teenage son of a local storekeeper. Sten offers to divorce his wife, and Elsie, attracted by the prospect of a secure social position, agrees to marry him when the divorce becomes final. One night when the couple are in bed, Reino climbs a ladder and attempts to force his way into their room; he falls and breaks his neck, and to avoid scandal Sten hides the body. But the strain of guilt ruins the romance, and Elsie contacts the police, who arrest her lover.

Knowing that he faced execution, Franz Jagerstatter refused to fight in Hitler’s army, saying no to war and working for peace.

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' captures its haunting grotesquery.

Forty Boys and a Song is a 1941 short documentary film directed by Irving Allen. The film is about the Robert Mitchell Boy Choir, consisting entirely of boys aged 8 to 14. The choir, run by organist Robert Mitchell, appeared in Hollywood productions for over thirty years. Accordingly, the boys were recruited to go to a special school where they would go through regular classroom instruction until 1 PM, after which they'd do choir practice. The kids are also shown performing in a church on Sunday as well as camping, as they are all part of the same Boy Scouts troop. The film was nominated for an Oscar for Best Short Subject, One-Reel.

Second feature film by the French-born director is a Bertolucci-style story of a bored, rich woman looking for romance and adventure. She meets an American G.I., dumps him, then falls for a Communist worker.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Doc Hell, famous gynecologist, wants to control the entire world. His plan: to heal the humanity using a miraculous medicine, in exchange for its complete submission. But his goals will be compromised when an unexpected detail, García Nurse, seeks revenge. The killer sent to her annihilation has failed. Nurse, murderer, one neighbor's boyfriend, the building manager, and a handful of other nasty people will be all involved in a crazy madness under the secret bunker of the Doctor Hell.