This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.

For Yogi, assaults have become a daily routine, so much so that the sight of his latest victim, a heavily injured woman slumped in her car, leaves him untouched. But then he spots her baby on the back seat. Without a second thought, Yogi takes the completely defenseless creature along in a basket. Not even a machine gun pointed at his forehead could have had a stronger impact on his life; he feels threatened and seduced at the same time.

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

School is over for the day. A stationary camera is trained on the door of the high school at the top of a few stairs. A man and small boy emerge, followed by wave after wave of boys, each in jacket and tie, most wearing caps. A few are arm in arm. At least 150 boys and young men appear. Then about 120 women and girls appear, parting to go in either direction down the sidewalk in front of the school. All are in long skirts and wear big hats; most wear blouses and jackets or coats. Some are adults; most seem older than the boys who've left just ahead of them. The last person to leave is a gentleman.

Animation about how two stray dogs tried to rob the house of a cunning rich cat.

Alaxander, a faithful henchman of Peter, does anything ordered by him. In one confrontation with the enemies, Peter orders Alaxander to Kill Anu, an innocent girl. On contrary, he decides to save her.

The legendary transgender club The Way Out celebrated its 25th anniversary in 2018. The documentary looks back at the last three decades in the London trans scene, discovering the club's impact on the transgender community through interviews and archive footage. The club closed in March 2020 for the first time in 28 years due to the global Covid-19 pandemic. What does the future hold for this unique place?

Images fall apart, data decay, glitches, algorithmic transcendence. The moon raises over mountaintops, melts with the woods. A path dissolves with the view. Colors rendered liquid. Data holes vanish in the distance. Memory, processing, nothing lasts forever. A hike through a natural reservoir; recorded, saved, consolidated. A landscape interpretation by means of MPEG algorithms. In #47, alternating fixed camera shots and pans display a landscape from the hiker’s point of view. Where the path leads to, remains unclear. #47 belongs to a video-work series, researching the relationship between landscape- representation, perception and the unconscious. The technics applied to the footage are a mix between some hacking of the MPEG-information and faulty encoding settings. During this process, crucial data is removed from the MPEG-stream and fed back to the computer to make it ‘work’, forcing software to re-interpret the visual information.

Three stubborn teenagers place a bet over which one of them is the meanest.

Paris By Night 88: Lam Phương - Đường Về Quê Hương (English translation: The Road Back to my homeland) is a Paris By Night program produced by Thuy Nga that was filmed at the Hobby Center for the Performing Arts at the Sarofilm Hall in Houston, Texas on Saturday, May 5, 2007. It is a direct continuation of Paris By Night 22: 40 Năm Âm Nhạc Lam Phương and Paris By Night 28: Lam Phương 2 - Dòng Nhạc Nối Tiếp, that was released several years earlier.

Supermen: A Story of British Wrestlers is a feature-length documentary film focused on what it's like to live a life in wrestling.

A celebration of traditional Thai cooking with drama taking place in a high class restaurant and a cooking school.

Noted Iranian actress Susan Taslimi plays an impoverished single mother who agees to marry off her 13-year-old daughter to a middle-aged man in return for a mare, which will help her earn an income and provide for her younger children. Director Ali Zhekan paints a stark picture of poverty and patriarchy in rural Iran (the mother stores her rice in a container hidden in a tree; her brother, who brokered the wedding, mercilessly beats the recalcitrant child), but this 1986 film is distinguished mostly by Taslimi's increasingly fiery performance as the mother decides to defend her daughter's freedom.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

The Time We Killed portrays the inner life of a writer unable to leave her Brooklyn apartment on the brink of the US invasion of Iraq. Robyn Taylor tries to kick her growing agoraphobia by re-imagining her past and contemplating world events of the present. As Robyn begins to overcome the amnesia that afflicted her as an adolescent, she fears coming down with “the amnesia of the American people”.